Lauded by the San Francisco Chronicle as “vocally resplendent” and possessing “impeccable coloratura,” in the 22/23 season soprano Alisa Jordheim returns to the role of Gilda in Rigoletto with both the Pacific Symphony and Amarillo Opera. Last season, Ms. Jordheim sang her first performances of Susanna in Le nozze di Figaro in her debut with Virginia Opera, joined the Enescu Festival as First Maid in Der Zwerg, returned to San Diego Opera as Despina in Cosi fan tutte, and returned to Central City Opera for Adele in Die Fledermaus and for further performances of Gilda in Rigoletto. She recently made her role and company debut as Clothilde in Pacini’s Maria, regina d’Inghilterra with Odyssey Opera, was engaged as Norina in Don Pasquale in a return to Boston Midsummer Opera, sang Hannah in The Merry Widow with the New Philharmonic, Rossini’s Stabat Mater with the Bach Collegium San Diego, and joined the Bochumer Symphoniker in a concert of Rachmaninoff and Gershwin. Ms. Jordheim made her company and role debut as Gilda in Rigoletto with San  Diego Opera, sang Ninetta in Rossini’s La Gazza Ladra with Teatro Nuovo, Mozart’s Exultate Jubilate with Milwaukee Symphony, Mozart’s Mass in C minor with the Bel Canto Chorus, along with various concerts with the New Philharmonic and the New York Opera Society.  She also recently joined Palm Beach Opera for Cunegonde in Candide, made her Paris Opera debut as 1^st Knappe in Parsifal, returned to Florentine Opera for both Venus in Venus and Adonis and Belinda in Dido and Aeneas, and joined Boston Midsummer Opera for Rosina in Il barbiere di Siviglia.